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I Can't Feel at Home 8:220:00/8:22
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but sometimes I worry 22:240:00/22:24
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little lovely images 5:200:00/5:20
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0:00/8:05
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and by opening up 4:300:00/4:30
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0:00/6:35
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0:00/6:10
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The Seven Sayings 8:290:00/8:29
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Sleepless Nights 3:030:00/3:03
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She Told Her Beads 4:440:00/4:44
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Messe des Perdus 19:300:00/19:30
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0:00/5:31

i can't feel at home (2024)
Instrumentation
Soprano, Double Bass, and Electronics
Duration
8'20"
Premiere
Confluss: St. John's in the Village, New York, NY (March 29, 2026)

Listen

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Program Note
The process of deconstructing your core belief system is often painful and isolating. In the case of leaving “the church,” it’s a messy combination of stripping away both the moral foundation of your ideals and abandoning a community that has surrounded you for decades. So much of the Christianity I grew up with emphasized alienation from the “world” and that people and community would ultimately fail you unless you had your one true friend, Jesus. Stepping away from the church meant abandoning real community, real support. It took me years to learn that wasn’t true.
This promise of isolation should one leave is prevalent throughout much of my experience with Evangelical Christianity. Nothing quite exemplifies it as well as the hymn, This World Is Not My Home, which was a favorite of my congregation growing up. There’s something deeply sinister about the refrain, which says, “Oh Lord you know, I have no friend like you,” and “I can’t feel at home in this world anymore.”
I Can’t Feel at Home is my way of looking back at my own deconstruction and represents my first musical foray into better understanding the impact the church and the process of leaving it has had on me. The text for the work comes from two sources, excerpts from the poem “ABSCENCE/PRESENCE VARIATIONS” by writer and long-time collaborator, Caroline Preziosi, and interpolations of the refrain of This World Is Not My Home.
Excerpts of the hymn weave their way throughout the piece. A recording of my childhood church singing it crests in and out of a pad of tape delay feedback, built from its melody before erupting into the chorus. Electronics and live performers lock perfectly in sync, a flashback to when times were simple and faith was strong. Things begin to warp and glitch however, eventually shunting us back to a more complicated present where the only way forward is “to continue turning.”
Selections from “ABSCENCE/PRESENCE” by Caroline Preziosi and “This World is not My Home” by Anonymous
…I dreamed this space
before arriving to it,
climbing through rooms
to break something in…
…a thing that slips between
my eye and light—
softy ignited, signals room
enough to change…
Oh lord, you know
I have no friend like you
If heaven’s not my home
Then Lord what will I do
The Angels beckon me
From the open door
And I can’t feel at home,
I can’t feel at home anymore.
Oh lord, you know
I have no friend like you,
Like you, have no friend,
Have no home,
Lord, what will I do,
What will I do.
And I can’t feel at home.
… I didn’t think
to learn a second language…
… or to answer the question
by asking it differently,
to see what has been interrupted
to allow my being…
… a language which itself
contains no mistake…
… more gesture
than utterance
and one way forward,
to continue turning…

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